For Viva la Devolución, we created a complete series of visualizers designed to accompany every track on the album.
Each piece was digitally generated from archival footage processed through a custom ASCII-based code developed specifically for Benito — a visual system inspired by Midjourney and The Matrix.
The result is a hybrid aesthetic between nostalgia and artificial vision: textures of memory seen through the eyes of a machine.

The core premise asked a single question:
What would the world’s beauty look like from a machine’s perspective?
Every frame became an answer — fragile, mechanical, and strangely human.

Made in Collaboration with Lucia Ranzuglia (Visual Programming and Digital Production)